Mohammad Kamal Alavi

Mohammad Kamal Alavi’s filmography? Oh, it’s a wild ride through some seriously intense territory. Let’s start with “The Seed of the Sacred Fig” (2024). This isn’t your typical popcorn flick. Nah, it’s this raw, gutsy dive into a family under pressure in modern-day Iran. The father’s a judge, right? He’s got his hands dirty in all sorts of political chaos, basically torn between doing what’s right and what keeps his family safe. The tension? You can feel it crawling under your skin. His wife and daughter aren’t just sitting pretty either—they’re questioning everything, poking at the cracks in the system, and honestly? Their whole world is on the verge of blowing up. It’s messy, human, and totally gripping. Then there’s “Silence Again” (2022). Man, talk about a gut punch. This one’s quieter, but it hits hard. You’ve got these characters wading through grief, secrets, and stuff nobody really wants to talk about. It’s less about big explosions and more about the stuff people bury deep down—the things that haunt you at night. Alavi’s got this way of letting scenes breathe, letting silence do the heavy lifting. It’s almost uncomfortable, but in a good way. “Nim/Half” (2021) is a bit more experimental—kind of like peeking through a cracked door into someone’s private chaos. It’s fragmented, a little off-kilter, and totally mesmerizing if you’re into movies that mess with structure and expectation. Alavi doesn’t handhold; you’re left piecing things together, and honestly, that’s half the fun. The guy’s not afraid to poke the bear, and his films stick with you long after the credits roll.