Molly Rosenblatt

Molly Rosenblatt, yeah, she’s popped up in some seriously stylish films—think Asteroid City (2023), The French Dispatch (2021), and The Grand Budapest Hotel (2014). Now, if you’re into that whole Wes Anderson universe, you’re probably already nodding along. These movies don’t just look cool; they’ve got stories packed with oddballs, snappy dialogue, and visuals so precise you’d swear somebody measured everything with a ruler. Asteroid City? That’s a quirky ride through a desert town where a bunch of brainy misfits gather for a junior stargazer convention. Suddenly—boom—aliens, secrets, and all sorts of out-there antics land in the middle of this already bizarre meetup. People are dealing with their weirdness, love pops up in unexpected places, and the whole thing just oozes that offbeat Anderson charm. Jump to The French Dispatch, and you’re in a fictional French town, following a magazine’s final issue. The film splits into wild, mini-stories: an artist painting behind bars, student riots, and a chef solving crimes. The cast? Basically an A-list parade. The humor’s dry, the shots are gorgeous, and everything feels like flipping through an artsy, vintage magazine. And The Grand Budapest Hotel? Oh man, it’s a madcap adventure set in a fading European hotel, with stolen paintings, prison breaks, and a concierge who’s basically a legend. Gorgeous pink buildings, wild chases, and a ton of kooky characters. Molly’s roles may not be front and center, but she’s definitely part of that whimsical, perfectly-crafted chaos. If you’re into movies that feel like live-action storybooks, her filmography’s one to check out.