Nandan Jonty

Nandan Jonty’s work is kind of all over the place, in the best way possible. Take "Hondisi Bareyiri" (2023), for example. It’s this drama that just dumps you right into the thick of complicated relationships and messy life choices. You’ve got this crew of friends, all tangled up in their own personal chaos, trying to figure out adulthood while making every mistake imaginable. The film doesn’t bother sugar-coating anything—sometimes it’s raw, sometimes it’s funny in that dark, cringey way. It’s real, you know? Then swing over to "Mojo" (2017) and you’re in a totally different territory. This one has this moody vibe, with characters who can’t seem to get out of their own heads. Jonty’s got a thing for exploring what happens when people are pushed to their limits, and "Mojo" really leans into that. It’s less about flashy action, more about what’s simmering under the surface. And don’t forget "Avarice" (2020). Honestly, greed never looked so… relatable? The story digs into how far people will go when there’s something they really want, and it’s not pretty. Jonty’s got this knack for shining a flashlight on the parts of people’s lives they probably wish nobody would see, and somehow making you care about every flawed character. His movies aren’t neat or tidy, but they stick with you.