Nasaria Suckoo-Cholette

Some Other Woman (2023) isn’t your typical drama—it’s got this undercurrent of paranoia that just gets under your skin. You’ve got Eve, a woman who basically packs up her whole life to follow her husband, Peter, out to this pretty isolated island. Supposed to be a fresh start, right? Except, not really. The island itself almost feels like it’s watching her, with the locals giving off those “you don’t quite belong here” vibes. The weather’s harsh, the house is lonely, and Peter’s work is, well, not exactly making things cozy. Pretty quickly, Eve starts noticing weird stuff going on. There’s this other woman (yeah, title drop), and Eve swears she keeps seeing her around—on the beach, in town, sometimes just out of the corner of her eye. Nobody else seems to notice or care, which just ramps up Eve’s anxiety and makes you start doubting what’s real. Is it just island fever, or is there something more sinister going on? The lines between reality and imagination get real blurry, real fast. As Eve spirals, secrets and old wounds bubble up. Her marriage? Not as solid as it looked on the surface. The island? Full of secrets. By the end, you’re not really sure who’s losing it—Eve, or everyone else. The whole thing keeps you guessing, and the tension just keeps ratcheting up until you’re practically yelling at the screen. Creepy, atmospheric, and a little bit sad, this one lingers way after the credits roll.