Personal details
- Birth Date: 1958-11-23
- Professions: Additional Crew, Make-Up Department, Director
Neil Breen, born November 23, 1958, is basically the definition of a one-man band in the world of weird indie movies. He kicked things off working as a real estate agent and architect in Las Vegas—so, yeah, not your typical Hollywood backstory. No film school for this guy, either. He just jumped in and taught himself everything, which, honestly, kind of explains a lot once you see his work. Breen’s made it pretty clear he wants nothing to do with the whole Hollywood scene. He’s all about doing things his way, so he writes, directs, edits, and stars in his own movies—talk about multitasking. He’s funded everything himself, either through his architecture gigs or, sometimes, crowdfunding. His filmography is a wild ride: Double Down (2005), I Am Here.... Now (2009), Fateful Findings (2012), and Pass Thru (2016). The movies? Oh boy. They’re packed with supernatural stuff—think mystical chosen-one vibes. Breen always plays the main character, who’s basically a messiah out to save the world from corrupt jerks and evil systems. He’s all about delivering long-winded, super intense speeches about justice and saving the innocent, usually narrated by himself. It’s a lot. But let’s be real—these films are infamous for being, well, pretty bad. We’re talking low-budget everything: awkward acting, clunky editing, scripts that make you wonder if he’s trolling. Somehow, that’s turned Breen into a cult icon. People can’t get enough of the so-bad-it’s-good madness.
Neil Breen’s movies? Oh, man, they’re something else. Here’s a guy who just straight-up refuses to play by Hollywood’s rules. He bankrolls his own films—yeah, all of them—either pulling from his own pocket or rallying a few bucks through fundraisers. You’re not gonna see big studio logos or fancy CGI here, just Breen’s pure, unfiltered vision. The guy’s got a cult following because he just goes for it, flaws and all, totally unapologetic. He’s basically a one-man show: writing, directing, sometimes even starring. Honestly, it’s kind of wild how he manages to piece everything together on a shoestring budget. It’s like watching a fever dream that someone actually believed in enough to make real. There’s this weird charm to it—DIY filmmaking at its rawest. Breen’s films aren’t just movies; they’re proof you don’t need a Hollywood bankroll to get your story out there. Just a bit of guts and some spare change.
if you dig into my movies, you’re gonna spot three things popping up again and again, but it’s not like i’m recycling ideas—just can’t help myself, i guess. first, there’s always some weird mystical or paranormal twist lurking in the background, like reality’s just a little off-kilter. then, i can’t resist sneaking in some kind of social commentary, usually poking at the stuff everyone’s thinking but nobody wants to say out loud. and yeah, i’ve got a thing for lost love—old flames, missed chances, heartbreaks that never quite heal. it’s all woven together, not in a copy-paste way, but more like a signature flavor. those three vibes—mystery, society, broken romance—they just stick to my stories like glue. if you ever watch my stuff, you’ll catch all these threads tying everything together, giving it that odd-but-familiar feeling.
November 23, 1958
Konidela Ram Charan
66 years old