Nicholas Zolfo

Nicholas Zolfo’s 2024 lineup? Man, it’s kinda wild. First up, “Civil War.” Everyone’s talking about this one. The country’s basically falling apart, lines are drawn, nobody trusts anybody, and the tension’s just—yikes. The story doesn’t really hand-hold, either. You’re thrown right into the chaos: cities in flames, families split, soldiers everywhere, journalists trying to make sense of it. It’s gritty, not sugarcoated, and honestly, it gets under your skin. Zolfo steps in and you can tell he’s not messing around, bringing that raw, edge-of-your-seat energy. Then there’s “Fly Me to the Moon.” Total 180. We’re talking retro vibes, space race fever, all that jazz. It’s the ‘60s, everyone’s obsessed with beating the Russians to the moon, and the pressure is insane. Zolfo brings this sort of sly wit to his part—think less astronaut, more hustler trying to keep the whole moon landing PR machine from blowing up in everyone’s faces. There’s romance, rivalry, and a bunch of behind-the-scenes chaos, so it’s not just rockets and astronauts. It’s messy in the best way. And “Jackpot!” Oh man. If you like your comedies with a splash of luck and a lot of trouble, this one’s a trip. A random guy stumbles into a life-changing lottery win, and suddenly, everyone’s his “friend.” Zolfo’s right in the middle, dodging weirdos, chasing dreams, and just trying to keep his sanity. It’s fast, funny, and just the right amount of ridiculous. 2024’s looking packed for Zolfo, and honestly, he’s killing it.