Niharika Jolly

Niharika Jolly, man, her name keeps popping up if you’re even half awake to Bollywood action flicks. You know those movies where the stunts are so over the top you wonder if gravity just called in sick? That’s her playground. She’s got her fingerprints on Pathan (2023), which, let’s be honest, was basically Shah Rukh Khan’s big flex after a break, all high-octane chases and slick espionage. Niharika? She was right there behind the scenes, making sure everything looked crisp, dangerous, and kinda glamorous. Then there’s Bang Bang (2014). That film, whew, it’s like someone poured a bucket of adrenaline on Hrithik Roshan and Katrina Kaif and just let the cameras roll. Wild car chases, wild dancing, wild everything. Again, Jolly’s in the mix, probably running on coffee and chaos to make sure every shot landed. And War (2019)? Oh, don’t even start. Tiger Shroff vs. Hrithik Roshan, doing their best impression of human superheroes. It’s the sort of film where you know you’re not supposed to believe half of what you see, but you don’t really care because it’s all so slick. Niharika Jolly’s work basically ties all that madness together—those big set pieces, the explosions, the glossy visuals. Not exactly subtle cinema, but sometimes you just want to watch the world blow up (on screen) and eat your popcorn. That’s the vibe she brings—full throttle, no apologies.