Nikita Chandak

Nikita Chandak’s filmography is honestly a bit of a wild ride, and, wow, she’s not just dipping her toes in different genres—she’s practically doing cannonballs. In Sanglo (2020), she steps into a world tangled with secrets and raw human emotion, the kind of story that doesn’t just tug at your heartstrings but yanks on ‘em. The character she brings to life isn’t your average, cookie-cutter heroine. She’s complicated, a little bit messy, and totally relatable in that way where you see yourself in her struggles and victories. There’s grit here, mixed with a vulnerability that sticks with you after the credits roll. Now, jump to Pooja, Sir (2024), and you’re looking at something entirely different. Nikita’s versatility is on full display, flipping the script and showing off a lighter touch—think wit, spark, and a little sass. The film weaves together humor and drama, never feeling forced, just letting the characters breathe and bounce off each other. Her performance slips between comedic timing and genuine sincerity, which, let’s be real, isn’t easy to pull off. Then, The Shameless (2024) takes things in a darker, more intense direction. Shadows, suspense, maybe even a dash of psychological edge. Nikita dives headfirst into this mess of complicated motives and moral ambiguity. She’s not afraid to get her hands dirty, and you can’t help but root for her even when you’re not sure she’s on the right side of things. Watching her in these roles, you get the sense that she’s not just acting—she’s living every messy, beautiful, chaotic moment.