Nimish Ravi

Nimish Ravi’s got a knack for making the camera fall head over heels for a story. Seriously, you check out his work on Kurup (2021) and it’s like the visuals have their own pulse—every shot oozes this moody, lived-in vibe that pulls you straight into the action, no seatbelt required. Then there’s Rorschach (2022), where he flips things and gets all psychological-thriller on you. Shadows, angles, tension—he knows how to mess with your head. It’s not just about pretty frames; you feel the anxiety creeping up your spine. Now, Lucky Baskhar (2024) comes in swinging, and rumor has it Nimish’s cinematography is just as ambitious—think bold colors, kinetic energy, and that signature way of making even an ordinary room look mysterious. You can spot his style a mile away: he’s all about playing with light, throwing in unexpected details, and making sure you never quite know what’s lurking in the next frame. What’s wild is how he manages to hop genres without missing a beat. Period drama, noir, whatever—he adapts and still leaves his stamp. It’s like he’s got this sixth sense for what a story needs visually and he’s not afraid to experiment or break a few “cinematography rules” along the way. If you’re hunting for someone who can make a film look slick, moody, and just a little bit dangerous, Nimish Ravi’s your guy.