Nishadh Yusuf

Nishadh Yusuf, born in 1980 in India, was one of those behind-the-scenes legends who quietly shaped the vibe of Malayalam cinema in the 2020s. You’d spot his name in the credits and instantly know the movie was about to pack a punch. Dude had a knack for fusing raw storytelling with razor-sharp editing — that rare combo that makes you sit up and pay attention, popcorn forgotten. He made some serious waves with Thallumaala in 2022. That movie? Straight-up chaos, but the good kind. Fight scenes that hit like a fever dream, edits snapping from one mood to another — all thanks to Nishadh’s restless creativity. Thallumaala wasn’t just a movie, it was a rollercoaster, and Nishadh was the guy driving. Fast-forward to 2024, and you see his fingerprints all over Kanguva and Petta Rap. Kanguva, with its epic scale and mythological wildness, needed someone who could handle big, sprawling narratives without losing the human touch. That’s where Nishadh came in. He stitched together wild action with quieter moments, making the larger-than-life feel, well, actually pretty personal. Petta Rap? Completely different beast. More groove, more swagger, and Nishadh’s editing made the film pop. He could cut between beats and moments like he was remixing the movie in real time. It’s not an exaggeration to say his style was addictive. Sadly, he passed away in Kochi on October 30, 2024, just when he was hitting his peak. The industry lost someone special — a true original who made every frame count.

Nishadh Yusuf
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Personal details

  • Birth Location: India
  • Professions: Editor, Writer, Editorial Department

Did you know

    • Trivia:

      Started his career editing at Asianet News, which, let’s be real, isn’t your typical stepping stone to fame—more like a behind-the-scenes grind. He was the guy making sure the headlines didn’t sound like a snooze fest and that the visuals popped just enough to keep viewers from flipping channels. Imagine the chaos: breaking news, last-minute changes, everyone yelling in Malayalam, and somehow he kept it together, crafting stories that actually made sense. No glitz, no glam, just a tiny desk, endless cups of chai, and the pressure of live TV breathing down his neck. But that’s where he picked up the skills—quick decisions, killer storytelling, and a knack for finding the heart of a story even when it was buried under a mountain of political drama. Honestly, starting out as an editor at Asianet isn’t flashy, but it’s where he learned to hustle, and that grit shaped every move he made after.

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