Noah Broch

Noah Broch’s filmography is a bit of a wild ride—if you’re into true crime and offbeat drama, you’ve probably seen his name pop up. First off, there’s Walls (2020), which isn’t just another run-of-the-mill drama. The movie dives right into the tangled mess of human relationships, all set against the backdrop of a crumbling apartment block. It’s gritty, honestly, and you can almost feel the claustrophobia seeping out of your screen. The characters are messy, complicated, and absolutely nothing gets tied up with a neat little bow. Broch’s knack for capturing the ugliness and beauty of everyday life is kinda refreshing, actually. Then there’s WTO/99 (2025), which, even though it’s newer, already has people buzzing. This one throws you right into the chaos of the infamous 1999 World Trade Organization protests in Seattle. It’s not just riot porn—there’s a real exploration of what pushes people to the edge, and Broch doesn’t shy away from the gray areas. The camera work is hectic, a little dizzying, but it matches the energy of the moment. You can almost smell the tear gas. And hey, Crimes Gone Viral (2020) is a totally different beast. It’s more documentary-style, taking those jaw-dropping internet crime clips and digging into the stories behind them. Broch manages to keep it gripping without being sleazy, which is honestly a miracle in this genre. All in all, his range is wild—one minute you’re in a dingy apartment, next you’re dodging riot cops, then you’re down the rabbit hole of internet infamy. Not boring, that’s for sure.