Olivia Kuan

Olivia’s been in the game since 2007, grinding her way through Los Angeles as a Director of Photography. She’s not one of those folks chasing blockbuster credits or Hollywood glitz—nah, she’s all about the indie scene, the kind of movies where the budget’s tight, but the vibes are strong. If you’ve seen The Black Dagger Brotherhood, I Blame Society, The Clearing, or that cult favorite First Period, you’ve already caught a glimpse of her style. She’s got this knack for lighting that just makes everything feel a little offbeat, a little more alive. And she doesn’t just sit behind the camera—she jumps into the director’s chair from time to time, too. Actually, that’s where she really flexed her creative muscles. Take The Herricanes, for example—a wild ride of a film that scooped up awards and turned more than a few heads. People in the indie circuit still talk about it. Olivia’s approach is hands-on, super collaborative, and honestly, she’s one of those people whose name pops up in the credits and you know you’re in for something unapologetically original. Los Angeles is crawling with DPs, but Olivia stands out because she’s not afraid to make bold choices, mess with tradition, or just flat-out break the rules when the story needs it. You want someone who isn’t afraid to get their hands dirty and who cares about the story above all else? That’s her—she’s not in it for the fame, just the thrill of making something that matters.