Personal details
- Professions: Cinematographer, Actor, Producer
P. Sukumar’s got a pretty interesting track record if you’re into Malayalam cinema. He’s the guy behind Swa Le (2009), a film that’s all about the wild, relentless chase for a juicy news scoop. Imagine being a journalist who’s got deadlines clawing at your back and editors breathing down your neck. That’s basically what Swa Le delivers—a glimpse into the chaos and dark humor of the newsroom, with the lead character scrambling to get his hands on a game-changing obituary before anyone else. It’s messy, it’s a little satirical, and honestly, you get a taste of how cutthroat things can get in the media world. Then there’s The Speed Track (2007), which totally switches gears. Racing, ambition, college drama—this flick’s got it all. The main guy’s kind of a rebel, obsessed with running, and he’s not exactly playing by the rules. The movie’s packed with races, rivalries, and the whole “will he, won’t he” tension that keeps you guessing. You can almost feel the sweat and adrenaline jumping off the screen. And let’s not forget the friendships and betrayals—because, of course, nothing’s ever simple on the track or in life. Lion (2006) adds another flavor. This one dives into political drama, family feuds, and a guy who’s trying to clean up the mess left behind by his powerful father. There’s a bit of everything: action, sharp dialogue, and enough twists to keep you on your toes. Sukumar’s films don’t really stick to one mood—they jump from comedy to serious real quick, and that’s kind of what makes his stuff stand out.
So, the guy was P. Chandrakumar’s younger brother—yeah, that’s the connection people always point out, but honestly, there’s more to the story. The film zeroes in on a family tangled up in drama, secrets, and that classic sibling rivalry that goes way deeper than just petty arguments. You’ve got jealousy simmering under the surface, old wounds that never really healed, and a constant battle for attention and validation. It’s not just one of those straightforward family flicks either—there’s a layer of mystery, and every character seems to be hiding something. The younger brother’s not just living in his sibling’s shadow, he’s also got his own ambitions and frustrations boiling over, which leads to some pretty wild twists. By the end, you’re left wondering if blood really is thicker than water or if sometimes, holding onto grudges just makes things messier for everyone. It’s all very raw, messy, and honestly, kinda relatable.
Konidela Ram Charan