Parimala

Parimala’s filmography is definitely a mixed bag, but honestly, that’s what makes it interesting. She’s popped up in some wild places—Hey Ram (2000) is probably the most famous on her list, and, wow, what a ride that movie is. The whole thing’s soaked in history and controversy, with Kamal Haasan doing all his usual magic. Parimala might not have been center stage, but every side character matters in a film that dense, you know? Then there’s Blood and Black (2024), and, man, if you’re into new-age thrillers with a dark twist, this movie just slaps. It’s gritty, fast-paced, and doesn’t hold your hand—exactly the kind of flick that sticks with you after the credits roll. Parimala’s role? She’s not just some background prop; her scenes actually push the plot forward. There’s something about the way she delivers tension—nothing over the top, but you feel it. And don’t sleep on Kutty Story (2021), either. That one’s a collection of short stories, all about love and life and the messy stuff people go through. Parimala’s segment is surprisingly emotional. The film jumps between joy, heartbreak, and awkwardness the way real life does, and she nails the whole “confused but hopeful” vibe. Her work there isn’t flashy, but it’s real. Altogether, her career paints a cool picture—she picks roles with some bite, and she’s not afraid to get a little weird with it. That’s rare.