Parth Pandya

Parth Pandya’s got his fingerprints all over some pretty wild projects lately. First off, Jigra (2024) isn’t just another film dropping into the stream—this one’s got grit. The story’s loaded with tension, family bonds pushed to their limits, and a main character who refuses to back down even when the odds are stacked sky-high. It’s got that raw, urban edge, full of emotional gut-punches and the kind of plot twists that make you pause and wonder if you missed something. And, let’s be real, the cinematography’s not holding back either. It’s moody, sometimes a little claustrophobic, but you can’t look away. Jump back to Chamak (2023), and it’s a different vibe altogether. Chamak dances right into the heart of the Punjabi music scene, but it’s not all flashy lights and easy fame. Instead, the series digs deep into what it really takes to make it—ego battles, loyalty tests, and moments that’ll stick with you long after. There’s this whole undercurrent of tradition versus ambition, and you can almost feel the bass thumping through the screen. Parth doesn’t shy away from the messy stuff, either. The characters are flawed, sometimes stupid, sometimes brilliant, and that’s what makes it feel real. Monica O My Darling (2022) is another beast. It’s slick, dark, and just a bit bonkers, with a noir-ish flavor that’s rare in mainstream Indian cinema. Murder, mischief, and a whole bunch of double-crossing—the plot zig-zags all over the place, and you’re never really sure who’s playing who. The humor’s sharp, sometimes even twisted, and that’s honestly half the fun. Parth Pandya’s work across these films and series? Yeah, it’s bold, unpredictable, and definitely not forgettable.