Paul Banks

Paul Banks, yeah, the guy with that effortlessly cool, brooding vibe—he’s been a staple in the indie music scene, but he’s also carved out a pretty wild path in film. You might recognize his name from Interpol’s “All the Rage Back Home” music video back in 2014, where he pulled off that stormy, cinematic mood like only he can. Same year, “Twice as Hard” dropped, and honestly, it’s like someone bottled up the grit of New York nights—shadowy, sharp, with that unmistakable Interpol edge. Fast forward to 2024, and he’s attached to “Sister Midnight,” which, let’s be honest, sounds mysterious as hell. Banks isn’t just a face in the crowd here; his presence adds a layer of depth and intrigue you don’t get every day. He’s not afraid to get his hands dirty, creatively speaking—he dives into these projects headfirst, leaving his fingerprints all over the vibe and tone. Whether he’s front and center or working behind the scenes, the dude knows how to set a mood. People who follow his work aren’t just fans—they’re in it for the ride, the atmosphere, and that signature Banks energy that never really lets you get too comfortable. It’s like every project he touches gets this extra dose of tension and allure, and honestly, that’s what keeps people coming back. He’s not just ticking boxes—he’s making stuff that sticks with you.