Paul Edward-Francis

Paul’s got a resume that’s basically every film buff’s fever dream. The guy’s been involved with “Blood of Zeus”—that wild Netflix anime drenched in Greek mythology—and, let’s be real, the score absolutely slaps. He drew on those old-school Hollywood vibes, you know, when orchestras used to blow your mind, and it paid off big. The soundtrack dropped recently, and it’s not just fans who noticed. He landed a Best Music nomination at the 48th Annie Awards, which is no small potatoes. But Paul doesn’t stop at one genre or studio. He’s hopped from “Guardians of the Galaxy Vol. 3” to “Howl,” and now he’s gearing up for “Warhammer 40k.” And if that’s not enough, he’s about to dive into “Henry Danger: The Movie” for Paramount+. Not exactly pigeonholing himself, right? He’s teamed up with the heavy hitters—Warner Brothers, Nickelodeon, Netflix, Marvel, Hasbro. It’s basically Hollywood bingo at this point. And, oh, did I mention he’s worked with orchestras like The Royal Philharmonic and The City of Prague Philharmonic? Not exactly your average Tuesday. Basically, Paul’s one of those rare folks who can jump between animation, big-budget superhero flicks, and epic fantasy without missing a beat. The industry keeps calling, and honestly, with that kind of range and pedigree, why wouldn’t they?