Peter Glanz

Peter Glanz is that rare breed of filmmaker who straddles both coasts—he’s got New York grit and LA polish, which is probably why his work feels so slick yet offbeat. Dude kicked things off at New World School of the Arts in Miami (not your average high school, let’s be real), then went all in for film at Art Center College of Design out in Pasadena. He doesn’t mess around. Early on, his short film “Relationship in Four Days” rocked both Cannes and Sundance—which, let’s face it, is the dream flex for any up-and-comer. Then he dove straight into features with “The Longest Week,” wrangling big names like Jason Bateman and Olivia Wilde. He’s not the type to rest on a win, though—just finished up “Savage House” for Paramount, an absurdist satire set in 18th-century England. Think family drama with a wickedly sharp, comedic edge, and a cast stacked with Richard E. Grant, Claire Foy, and Bel Powley. Not exactly your typical costume drama. But Glanz doesn’t box himself in—he’s shot commercials for basically every luxe brand you can name: Chanel, DKNY, Marc Jacobs, YSL, Carolina Herrera, Swarovski… the list goes on. Oh, and if you remember Carly Rae Jepsen’s ridiculously catchy “I Really Really Like You” video with Tom Hanks dancing down the street (it’s got like, 300 million views), that was him too. Basically, the guy’s got range, style, and a knack for making weird look cool.

Peter Glanz
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Personal details

  • Birth Date: 1983-01-28
  • Professions: Writer, Director, Producer

Did you know

    • Trivia:

      Studied film at Art Center College of Design, which is already a big deal, but snagging a full Presidential Scholarship? That’s not your average art school story. You’ve gotta have some serious talent to pull that off—schools don’t just hand those out to anyone who can hold a camera. Art Center’s legendary for churning out creative minds, so this guy was probably surrounded by future directors and artists, all pushing each other to do better. Between the late-night edits, caffeine-fueled brainstorms, and endless critiques, it’s really a grind. But with a scholarship like that backing him, you know he stood out. That kind of start sets the tone for someone ready to make waves in the industry—resourceful, driven, probably a little bit competitive too. Not just showing up, but showing up and owning it. It’s the kind of background that hints at big things coming down the pipeline.

FAQ

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      January 28, 1983

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