Peter Von Poehl

Peter Von Poehl, born back in ‘72 over in Malmö, Sweden, isn’t just your average Swedish bloke—this guy’s got a knack for music and cinema that’s hard to miss. You might not recognize that name off the bat, but if you’ve ever caught yourself humming a haunting score from some indie film, there’s a good shot it’s his work echoing in your head. He’s not only a composer but also jumps in front of the camera now and then, just to keep things interesting. His fingerprints are all over a few movies that have made waves in the European film scene. Like, take “Aurora” from 2012—he cooked up the soundtrack that basically clings to your memory long after the credits roll. Then, there’s “L’arnacoeur” (2010), a French rom-com, where his music pretty much sets the tone, giving all those swoony scenes a little extra kick. And don’t forget “Korparna” from 2017, where his touch adds this bittersweet edge; honestly, it’s tough to imagine those films working without his melodies lurking in the background. What makes him stand out? He’s got this gift for weaving emotion right into the music—sometimes it’s barely there, just a whisper, but it still manages to hit you right in the feels. Von Poehl floats between genres and moods like he’s just picking out clothes, but somehow, it never feels forced. He’s the kind of artist who lets the story lead, and you can hear it in every note. Not flashy, just quietly brilliant.