Personal details
- Professions: Producer
Piers is basically a heavyweight in the UK film scene, cranking out big titles like it’s just another day at the office. The guy’s a founding partner at Tempo Productions, which, in the film world, is kind of like being the cool kid in school that everyone actually likes. Scroll through his credits and, wow, it’s a wild mix—William Tell, Ballerina Overdrive, Emily, Bank of Dave, Upgraded, Unwelcome, The Wife, Military Wives… and that’s barely scratching the surface. He clearly doesn’t have a type; one minute it’s a heartfelt drama, next thing you know, he’s throwing you into the middle of a wild action flick. What’s wild is how his films don’t just vanish after one festival—they stick. Ordinary Love, Driven, Churchill, The Journey, Gigi & Nate, Love Wedding Repeat… these aren’t just filler titles, they’ve actually left a mark, each with its own flavor. And let’s be honest, you don’t just get to be a full member of BAFTA, The Production Guild, and the Producers Guild of America by accident. That’s the kind of resume you drop into conversation just to flex a little. Piers isn’t some faceless exec pushing papers—he’s hands-on, shaping projects from the ground up, and the industry’s noticed. You can tell he’s not about to slow down either. If you’re into movies that actually try something different, or just want to follow someone who knows how to pick a script, this is the guy.
reference nBeing a member of the Producers Guild of America (P.G.A.) isn’t just some random line on a résumé—it’s kind of a big deal in the movie biz. These are the folks who actually make movies happen, pulling all the wild threads together behind the scenes. We're talking about the masterminds wrangling actors, crew, budgets, and probably more coffee than is medically advisable. The P.G.A. stamp means you’re not just someone who showed up on set for a selfie; you’re legit, with a track record of actually getting films off the ground and into theaters. It’s not something you can just buy your way into either. There’s a whole vetting process, and you need credits to your name—real ones, not just “helped hold a boom mic once.” When you spot those three letters after a producer’s name, yeah, you know they’ve been around the block and know their stuff.
Konidela Ram Charan