Pippa Feldberg Collins

Pippa Feldberg Collins has this knack for popping up in films that kind of stick with you long after the credits roll. Think about The Aeronauts (2019) – she’s tangled up in this mad adventure, soaring above Victorian England in a hot air balloon, chasing weather records while the ground is literally falling away beneath them. There’s drama, obviously, and a smidge of old-school danger, but what really lands is that feeling of people pushing themselves to the limit, just because they can. Jump to The Father (2020), and she slides into this heartbreaking, dizzying story about memory slipping like sand through your fingers. It’s not just another “sad dad” movie, either. The whole thing feels like you’re inside the main character’s head, losing track of what’s real, who’s who, and where the hell you are. Pippa’s presence in that cast adds a certain edge, a sort of tension that keeps you guessing, even while the world is spinning out. Then there’s The Outfit (2022), which – wow, total left turn – drops you into a claustrophobic tailor shop crawling with shady types and double-crosses. Noir vibes all over. Pippa’s there, blending into this web of lies, sharp suits, and dangerous secrets. She doesn’t just fade into the background, either; there’s always a sense she knows more than she’s letting on. So yeah, Pippa Feldberg Collins isn’t the loudest name on the poster, but she’s got this way of elevating every scene she’s in, giving you something you can’t shake off.