Piyush

The Sabarmati Report (2024) follows a story that's honestly hard to shake off. It dives straight into the aftermath of a tragedy that rocked Gujarat—the burning of a train coach at Godhra in 2002. You’ve got journalists, politicians, cops, and regular folks all tangled up in this mess, each yanking the story their own way. Piyush plays a guy who’s basically dropped in the middle of chaos, trying to chase down the truth when everyone’s got their own version. The film doesn’t just spoon-feed answers or play it safe. Instead, it runs headfirst into the confusion, showing how rumors fly, tempers flare, and fear can twist even the simplest facts. There’s this rawness to it, too—newsrooms buzzing, people shouting over each other, and nobody really sure what’s real anymore. The city’s on edge, and you feel the tension in every single scene. Characters aren’t painted as heroes or villains; they’re just people, flawed and messy, trying to make sense of something senseless. Honestly, the movie isn’t just about what happened on that train; it’s about how stories get built and broken, and how the truth sometimes gets lost in the noise. If you’re into dramas that don’t let you off easy, this one sticks with you. It doesn’t tie things up all neat and tidy—because, let’s be real, life hardly ever does.