Prawin Pudi

Prawin Pudi’s work really vibes with anyone who’s into Telugu cinema, no jokes. The guy’s got a knack for picking projects that hit you right in the feels or just blow your mind with their slick editing. Take *Itlu Amma* (2021), for example. It’s not your typical family drama—it digs into the whole mother-son dynamic, but throws in layers about societal mess and emotional chaos. You end up rooting for characters who are just trying to get through life, honestly. Nothing sugar-coated. Then you’ve got *24* (2016). Now, this one’s a straight-up sci-fi ride. Time travel, dual roles, a villain who’s as smart as he is unhinged—yeah, it’s wild. The editing really keeps you on your toes, jumping timelines without making you want to throw your popcorn at the screen. Prawin’s cut makes the story flow so you’re never lost, even when people are literally running against time. *Vakeel Saab* (2021) is a whole different vibe. It’s a courtroom drama with real punch, tackling some pretty heavy stuff—women’s rights, justice, that kind of thing. The way the film is paced, you’re sitting there, heart pounding, waiting for the next big reveal. Prawin’s editing chops make sure every moment lands, from the emotional breakdowns to the high-voltage arguments. Honestly, his style is never flashy just for the sake of it. There’s always something going on under the surface, something that actually matters to the story or the characters. That’s what makes his work stick with you, even after the credits roll.