Prince Kanwaljit Singh

Prince Kanwaljit Singh grew up in the heart of India, and if you know anything about Punjabi cinema, you’ve probably seen his face pop up more than once. He’s not one of those actors who fades into the background—he’s got this raw vibe, sort of like he’s lived a thousand lives already. In "Nanka Mel" (2019), the dude just nails the emotional punches, making you feel every little crack in the family drama. You can tell he’s not phoning it in. The intensity is real—he brings out that pain, the longing, the whole messy package that comes with complicated relationships. Jump to "Ik Sandhu Hunda Si" (2020), and it’s like, here comes Prince flexing a whole different muscle. The movie’s packed with action and brotherhood, and he fits right in with the rough-and-tumble crowd. He’s not just there for the ride—he’s genuinely throwing punches, both literally and with his performance. It’s gritty, sometimes a little over the top, but hey, that’s Punjabi cinema for you. The energy’s infectious. And then there’s "Jatt Boys Putt Jattan De" (2013), where he just oozes that youthful rebelliousness. You watch him and think, “Man, I know that guy,” because he makes even the most overdone tropes feel kinda fresh. Prince Kanwaljit’s career feels like this wild rollercoaster—sometimes he’s the emotional anchor, other times he’s the guy stirring up trouble. Either way, you can’t really ignore him. He’s the kind of actor who refuses to blend in, and honestly, Punjabi films are better for it.