Pritt Timothy

Man, Pritt Timothy’s filmography is kinda wild. First off, there’s Gundala (2019)—yeah, that’s the one. Superhero flick, but with a gritty, Indonesian twist. It’s not your average capes-and-tights thing; the world feels raw and lived-in, and you got this everyman, Sancaka, who’s just trying to survive in a place where corruption’s running the show. Lightning strikes and, bam, suddenly he’s got powers. Doesn’t even want to be a hero at first, just wants to live in peace, but you know how it goes—trouble finds him anyway. The action scenes are nuts, and the whole vibe is way darker than your usual Marvel stuff. Fast-forward to Qodrat (2022). Now, this one’s a supernatural horror ride. Think exorcism, haunted villages, all that good stuff. Pritt’s role here really leans into the creepy, atmospheric side of things. People getting possessed left and right, old-school rituals, and the suspense just keeps building. It’s not just about cheap jump scares; there’s a real sense of dread that sticks with you even after the credits roll. Then there’s Balada Si Roy (2022). This one’s more coming-of-age, full of raw emotion and drama. Roy’s the new kid in town—doesn’t really fit in, bit of a rebel, always getting into trouble. But underneath all that tough-guy stuff, he’s just trying to figure out his place in the world. The story taps into all those messy feelings of youth—anger, love, loneliness. Pritt brings a ton of energy to these characters, making them feel real and, honestly, kind of unforgettable.