Raj Ayyappa

Raj Ayyappa’s filmography is honestly a bit wild if you think about it—jumping from the pulse-pounding chaos of Valimai to the nerve-wracking tension in Run Baby Run, and then lobbing a curveball with Tharunam. The guy’s not sticking to one lane, that’s for sure. In Valimai (2022), he’s thrown smack into a world where cops and chaos ride side by side—motorbike chases, sharp turns, and that feeling where you just know something’s about to explode. It’s all gritty streets and that sort of raw heroism you can’t fake. Fast forward to Run Baby Run (2023), and you’re suddenly caught up in a race against time, with stakes climbing higher every minute. There’s that edge-of-your-seat paranoia, people not being who they say they are, and the kind of twists that make you question every character’s motives. Then there’s Tharunam (2025), which flips everything on its head. This one’s more introspective, digging into the choices people make when the clock’s ticking and there’s no easy way out. It’s all about the messy, complicated stuff—regret, hope, and the weird ways life throws you curveballs when you least expect it. Whether he’s darting through action sequences or digging into human drama, Raj doesn’t really do boring. Each film’s got its own flavor, but there’s always that undercurrent of tension—like something big could happen any second. Honestly, he keeps you guessing, and that’s half the fun.