Rajkumar

Antha Naal (2024) drops you right into the mess of Rajkumar’s world, where nothing is as simple as it looks. This isn’t your run-of-the-mill whodunit—more like a chain reaction of secrets blowing up in everyone’s faces. You’ve got a murder at the core, but honestly, the body’s barely cold before all the suspects start tripping over their own lies. Rajkumar’s character? He’s caught somewhere between being the guy next door and someone you absolutely shouldn’t trust. Every time you think you’ve got a handle on his motives, the film yanks the rug out from under you. The city’s got this gloomy, almost claustrophobic vibe; every alley hides more than just garbage and stray cats. The cops are scrambling, the witnesses are shady as hell, and there’s always another twist waiting around the corner. Rajkumar plays it with this weird mix of charm and desperation, so you never really know if you should root for him or just keep your distance. Relationships between characters are a tangled mess—old grudges, jealousies, and secrets that refuse to stay buried. By the time you think you’ve figured out what’s going on, the film throws another curveball. It’s a tense ride, packed with suspense, sly humor, and enough emotional punches to keep you guessing until the very end.