Rakesh Dalawai

Dheera Bhagat Roy (2024) is kind of a wild ride, honestly. The story drops you right into the thick of things with Bhagat Roy, this gritty, no-nonsense guy who’s seen more than his share of chaos. The man’s got a vibe—bit of an anti-hero, not your typical squeaky-clean protagonist. There’s this whole tangle of crime, loyalty, and personal vendettas swirling around him, and honestly, the line between good and bad? It’s pretty much erased. So, Roy’s hustling through the underbelly of his city, dealing with all sorts of shady characters—gangsters, crooked cops, and even folks he once called friends. Nothing’s black and white here, everyone’s got their own secrets and agenda. The plot keeps twisting—one minute you’re sure you know who’s pulling the strings, and the next, bam, everything flips. It’s that kind of movie. There’s a lot of action, but it’s not just mindless. Every fight, every chase, it all feels personal, like Roy’s fighting ghosts as much as he’s fighting real enemies. On top of that, there’s this family angle—old wounds, betrayals, people he can’t quite let go of. The film doesn’t hold your hand, either. You gotta keep up, pay attention, or you’ll miss the little details that actually matter. Rakesh Dalawai brings this raw energy to the whole thing, like you’re living it right there with Roy.