Rameez Raja

Rameez Raja, honestly, doesn’t get nearly enough credit for the range he brings to the screen. The guy’s filmography is a weird, fascinating ride—jumping from supernatural chills to offbeat comedies and even a dash of political drama. Take Azadi (2025), for example. It’s not your typical popcorn flick. The story takes you through a tangled mess of personal freedom, the cost of rebellion, and what happens when you try to change a system that refuses to budge. There’s tension, sure, but it’s the emotional gut-punches that stick with you. Now, Vidhi Madhi Ultaa (2018) swings in the total opposite direction. It’s a comedy, but not the slapstick kind. More like—life keeps throwing curveballs, and the characters keep tripping over them in the most ridiculous ways. Rameez isn’t afraid to look absolutely foolish for a laugh, and you kind of end up rooting for his character, even as he stumbles into one disaster after another. Then there’s Darling 2 (2016), dipping its toes into horror, but with that distinct Tamil cinema flavor—ghosts, family drama, and a bunch of jump scares. Rameez holds his own even when the plot gets bonkers (and let’s be real, it does). He brings this grounded energy, making you buy into the whole haunted house chaos. So yeah, Rameez Raja’s movies aren’t just a checklist of genres—they’re proof the guy’s got guts and isn’t afraid to try something wild.