Randall Ehrmann

Randall Ehrmann’s filmography is honestly all over the place—in the best way, though. The guy’s been part of some seriously offbeat and unforgettable projects. Take “The Righteous Gemstones” from 2019. If you haven’t seen it, it’s basically a wild, dark comedy about a televangelist family who are equal parts dysfunctional and hilarious. The show’s blend of sharp satire and absurd family drama makes it stand out, and it’s got a vibe that’s both chaotic and strangely relatable. Ehrmann’s fingerprints are all over that energy. Then you’ve got “Hello, My Name Is Doris” (2015), which is a totally different animal. That movie dives into the life of Doris, a quirky, awkward older woman trying to find her place and maybe, just maybe, a little romance in her life. It’s sweet, it’s funny, and honestly, it’s got heart. There’s something about the way the story unfolds that makes you root for Doris, even when she’s making questionable choices. And don’t sleep on “Dickinson” (2019). That show is a wild mashup of historical drama and modern sensibility, following the life of poet Emily Dickinson with a twist—seriously, Billie Eilish on the soundtrack and everything. There’s a real edge to it, and it doesn’t care much for sticking to boring old period drama conventions. Ehrmann’s involvement ties all these projects together with a kind of fearless, genre-blending approach. If you’re into stories that refuse to fit in a neat box, his work is definitely worth a look.