Ravi Shankar Jaiswal

So, Ravi Shankar Jaiswal—yeah, you’ve seen his name in the credits if you’ve been anywhere near Indian cinema in the last decade or so. This guy’s filmography isn’t just a random collection; it’s got some seriously varied flavors in there. Bajirao Mastani (2015) is probably the one everyone’s heard of, right? That film was just on another level—massive sets, swirling costumes, heartbreak, and all that old-school royal drama. It’s one of those movies where every frame is dripping with color and emotion, and honestly, it’s tough to not get swept up in the whole thing. And Jaiswal? Well, he was right there, part of the magic. Then you’ve got Ludo (2020), which, let’s be real, is a whole different beast. Forget grand palaces—this one’s a wild, tangled ride through modern-day chaos, with storylines crisscrossing all over the place. The film kind of feels like a game itself, with fate rolling the dice and everyone’s life getting shaken up. Jaiswal’s involvement here again just proves he’s not afraid to jump genres. And don’t sleep on The Tashkent Files (2019). That movie digs into the mysterious death of India’s former prime minister, Lal Bahadur Shastri, and it’s got this gritty, investigative vibe. Lots of conspiracy, lots of suspicion, and you’re left questioning what’s real and what’s not. All in all, Jaiswal’s film credits show he’s not just sticking to one lane—he’s all about mixing it up, diving into everything from epic romance to dark political thrillers.