Rayan Bouazza

Rayan Bouazza is sort of a chameleon in the film world lately, popping up in some pretty wild projects. Ad Vitam (2025) is making waves before it’s even out—everybody’s buzzing about its trippy, borderline-psychedelic sci-fi vibe, and Rayan’s performance? People are saying it's his most intense yet. He’s got this way of slipping into characters that just feels real, like you’re never quite sure where he ends and the role begins. In GTMAX (2024), he basically throws himself into a high-octane, tech-fueled thriller—lots of fast cuts, some gnarly stunts, and that electric tension you’d expect from a story about underground racing and digital chaos. Kinda feels like if Blade Runner and Fast & Furious had a weird, brilliant baby. Then there’s The Gardener (2025), which flips the script—a slow-burn drama, lush visuals, and Rayan playing a mysterious, quietly broken guy with a lot to hide. This one’s got critics talking, mostly because he dials it way down and somehow still grabs your attention even when he’s just staring off into space. People are starting to notice that no matter the genre, he always brings this intensity, and honestly, he’s probably going to be everywhere soon. At this point, if you haven’t caught one of his films, you’re kinda missing out on what’s next in the indie scene.