Rebekah McKendry

Rebekah McKendry? Oh, she's got horror in her blood, no question. You think of indie horror with that mix of cleverness and guts, and her name pops up, like clockwork. She kinda blew up with “All the Creatures Were Stirring” in 2018, which is one of those quirky Christmas horror anthologies that’s basically required viewing if you think December needs more blood spatter. That movie’s got weird office parties, creepy gift exchanges, and enough black comedy to make your grandma clutch her pearls. Honestly, it’s got bite. But go back a bit—2012, she did “The Dump.” Short, punchy, nasty little thing, but memorable. She’s got this thing for stories that are kinda offbeat, sometimes gross, but always smart. Then there’s “Tales of Halloween” from 2015, which is like a love letter to every Halloween freak with a jack-o-lantern grin. That one’s a whole bunch of stories mashed together, all twisted, all fun, and she’s right in there with the rest of the horror crowd, making sure it’s got the right amount of shivers and laughs. Offscreen, she’s been married to David Ian McKendry since 2003, which is, what, decades in Hollywood years? People in the horror community know her, respect her, and low-key love that she really gets the genre. If you want directors who aren’t afraid to get weird or mix scares with a wink, she’s your person. Horror’s a weird family, and Rebekah’s definitely one of the cool cousins.

Rebekah McKendry
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Personal details

  • Professions: Producer, Director, Writer

Did you know

    • Trivia:

      Dr. Anderson snagged her PhD in Media Studies from Virginia Commonwealth University, which honestly? Kinda impressive. She’s one of those people who can wax philosophical about TikTok trends or deep-dive into the impact of meme culture on public discourse without missing a beat. Her research digs into how media shapes, twists, and straight-up reshapes the way people think and act—like, it’s not just about what’s on screen, it’s about who’s watching and why they care. She’s been published all over, from dense academic journals to more mainstream sites, and she’s always got her finger on the pulse of what’s next. If you ever wondered who actually wants to study internet drama for a living, well, here’s your answer. With her background, she’s basically the go-to for anyone trying to make sense of the wild, ever-changing media landscape.

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