Rémi Cervoni

Rémi Cervoni’s career? All over the place, but in a good way. This guy’s got a knack for picking up roles that leave you thinking, “Wait, who was that? Oh, right, that was Cervoni!” You might’ve seen him pop up in Yo Mama (2023)—a film that messes around with the boundaries of classic comedy, drops a load of quick-fire jokes, and basically refuses to take itself too seriously. It’s not just slapstick either, there’s a weird kind of heart tucked in there, like the filmmakers genuinely care about the characters, even when they’re roasting each other nonstop. Then there’s Neneh Superstar (2022). Totally different vibe. Cervoni steps into a world where dance is basically survival, and everything’s on the line for this young dancer, Neneh. The film throws you into the cutthroat ballet scene—think high stakes, egos everywhere, and a kid fighting for her shot. Cervoni plays a part that, honestly, adds some real friction to Neneh’s journey. He’s not the main character, but you’ll remember him. Simply Black (2020) though—that’s a trip. Satirical to the bone, it dives into identity, race, and what it actually means to be “authentic” in a world that’s obsessed with labels. Cervoni’s role in this one? Kind of wild, kind of genius. The film’s not afraid to poke fun at itself or at society in general, and Cervoni’s performance is right there in the mix, making you laugh one second and then side-eyeing your own assumptions the next. This dude’s got range.