Renadive

Renadive’s filmography is a bit of a rollercoaster, isn’t it? The guy’s got an eye, and his work in The Book of Iyob (2014) is honestly kind of wild – moody, atmospheric, and drenched in that Kerala noir vibe. The film takes you through some pretty dark territory, with betrayals, family feuds, and a whole lot of moral gray areas. Renadive basically turns every frame into a painting. Then you look at Shylock (2020), and it’s a whole different beast. You’ve got Mammootty chewing scenery, swaggering around like he owns the place (which, let’s be real, he kind of does). The movie’s got the whole masala action thing going on – revenge, punchlines, big dramatic showdowns. It’s loud, it’s flashy, and it doesn’t apologize for it. Now, Janaki vs State of Kerala (2025) is sort of the wildcard here. Not much is out in the wild yet, but everyone’s buzzing. Word on the street is it’s going to be a tense courtroom drama, something that’ll dig into social issues and maybe ruffle a few feathers. Renadive seems to thrive on that edge – doesn’t shy away from tough subjects, and you get the sense he likes to push boundaries, visually and thematically. Whether he’s painting with shadows or turning up the saturation, there’s always something a little off-kilter in his movies. It keeps you guessing, and honestly, that’s half the fun.