Richard Chapman

Richard Chapman’s filmography is honestly a wild ride, and if you’ve seen any of his stuff, you know he’s not afraid to go all-in. Black Sheep (2006) is one of those cult classics that just sticks with you—think New Zealand countryside, but instead of chill sheep, you get the most unhinged, genetically mutated flock ever. It’s bonkers, gory, and, yeah, a little bit hilarious in a twisted way. Chapman doesn’t exactly do “subtle,” and that’s half the fun. Then there’s The Rule of Jenny Pen (2024). This one’s got a totally different vibe—darker, more psychological. Jenny’s the kind of character who just lingers in your mind way after the credits roll. She’s haunted, complex, maybe not always likable, but you can’t look away. The film digs into obsession and the weird little rules people make for themselves to survive. Chapman’s direction here is sharp, raw, and honestly just kind of gutsy. He doesn’t spoon-feed you; instead, you’re piecing things together, second-guessing every character. Passion in Paradise (2014) swings back into romance, but, you know, Chapman-style. Nothing’s ever picture-perfect. Set in some dreamy location you’d probably want to vacation in, the story gets messy fast—betrayals, secrets, all the juicy stuff. But Chapman never lets it get cheesy. It’s dramatic, sure, but there’s a bite to it. He’s got a knack for making even the prettiest scenes feel a little dangerous, like there’s always something bubbling beneath the surface.