Ripon Chaudhury

Ripon Chaudhury’s filmography is honestly a bit of a wild ride, if you’re into raw storytelling and that offbeat flavor. Let’s talk about "Jongli" (2025) first. The buzz is all about its gritty, almost chaotic energy—think forests, outlaws, and a whole lot of moral gray zones. It’s not your typical hero-villain stuff. The characters? Messy, complicated, real. The lines between good and bad keep blurring until you’re not even sure who you’re rooting for. There’s a lot of tension, especially with the way the story weaves in survival instincts and that primal side of human nature. Then there’s "Khoj" (2017), which goes in a totally different direction. This one’s more of a psychological thriller, with layers upon layers. People disappear, secrets unravel, and the small-town setting just adds to the claustrophobia. You get sucked into the paranoia, the obsession—nobody’s quite what they seem, and every answer leads to more questions. It’s like peeling an onion that makes your eyes water and your brain hurt, in a good way. "Namhin Gotrohin," meanwhile, dives deep into identity and belonging. It’s not afraid to get uncomfortable, poking at family, tradition, and the stuff people usually sweep under the rug. You’ll see generational clashes, those quiet heartbreaks, and the struggle to find your own voice in a world that wants to label you. Chaudhury doesn’t do surface-level drama—he digs in, makes you squirm, and maybe even see yourself in the mess.