Robert Azzopardi

Robert Azzopardi’s filmography is honestly kind of a wild ride if you’re into genre flicks or just weird cinematic deep cuts. So, let’s talk about Clavius (2016) for a sec. It’s this trippy sci-fi drama that tosses you into a futuristic setting, loaded with all sorts of philosophical questions and mind-bending visuals. Not your average popcorn movie—it’s more like the kind of film that leaves you arguing with your friends over what it even meant, and maybe a little existentially rattled. Then there’s Jurassic World IV (2025), which, yeah, is totally the blockbuster you’d expect. Dinosaurs, chaos, people running for their lives, but with some fresh twists. The franchise just refuses to quit, and this one steps it up with new breeds of dinos and, honestly, some wilder action scenes than before. Azzopardi’s touch is in how the tension builds—it’s not just about the big monsters, but also the human drama, the “what would you do” moments when things go sideways. If you’ve been following the series, you’ll probably catch a few callbacks and inside jokes too. And if that wasn’t enough, The Scopia Effect (2014) shows another side of Azzopardi’s range. It’s this psychological thriller that messes with your head, following a woman caught in this spiral of memories and visions. The film’s got this eerie vibe—sort of like if David Lynch decided to make a ghost story in London. Not to give spoilers, but it’s one of those stories where reality and imagination blur together, and you’re left questioning what’s real long after the credits roll.