Robert Frost

Robert Frost’s editing credits read like a highlight reel for modern British television—think Slow Horses (2022), My Fault London (2025), Hijack (2023), and Litvinenko (2022). The guy’s got an eye for tense drama and offbeat narratives, and it hasn’t gone unnoticed—he snagged a nomination for the Chris Crookall Award for Breakthrough Editor at the British Film Editors “Cut Above” Awards in 2022. Not too shabby, right? He’s definitely put in his time behind the scenes, too. Back in 2021, he handled the Assembly Editor gig for Sex Education Season 3, which, let’s be honest, is a show that lives and dies by its razor-sharp pacing and emotional beats. That’s no small feat. Before that, he paid his dues as Assistant Editor on some heavy-hitters: Landscapers (2021), Criminal UK Season 2 (2020), and Sex Education Season 2 (2020). So, yeah, he’s been in the trenches, learning from the best and getting his hands dirty with all the nitty-gritty details that make or break a show. It’s not just about technical chops, though. Frost has a knack for weaving together all those little moments—awkward silences, tense standoffs, the quick-fire banter—that give a series its real spark. Whether he’s cutting a twisty thriller or a coming-of-age comedy, he brings a sense of rhythm and energy that keeps you glued to the screen. No wonder people are starting to pay attention.