Robert Sargunam

Robert Sargunam’s filmography is a bit of a roller coaster, honestly. You look at "Antha Naal" (2024), and right away, there’s this vibe that he’s not afraid to dig into some messy, complicated stories. "Antha Naal" throws you straight into a world where secrets are currency and trust is basically a myth. The characters aren’t your cookie-cutter heroes either—everyone’s got a past, and most of them are running from it or hiding something. You’re never quite sure who’s telling the truth, which keeps you on edge. The pacing? It zips along, barely giving you time to catch your breath before dropping another twist in your lap. And the cinematography—man, some scenes look like they could be paintings, all shadow and tension. Then there’s "Sattham" (2019), which is more of a slow burn but still packs a punch. Sargunam seems to get a kick out of building pressure until you can practically feel it in your chest. The story dives deep into how little misunderstandings can spiral into chaos, and the sound design is eerie enough to make you glance over your shoulder. It’s not all doom and gloom though—there are moments of dry humor that break up the tension just when you need it. "Strings" (2017) feels rougher around the edges, maybe because it’s earlier in his career, but you can see flashes of his style peeking through. The way he handles relationships—messy, tangled, honest—definitely leaves a mark. Altogether, Sargunam’s movies aren’t afraid to get their hands dirty, and they never underestimate the audience. If you want neat endings, look elsewhere.