Rohan Thattipally

1134 (2024) is one of those movies that sneaks up on you—seriously, it’s a wild ride from the jump. Rohan Thattipally really outdid himself here. The film throws you right into a world that feels kinda familiar but also completely weird, like you’ve seen it in a dream but now it’s gone off the rails. You’ve got this main character, struggling with a reality that keeps folding in on itself, and every time you think you’ve figured out what’s going on, something flips the script. There’s this underlying tension, like everyone’s got a secret and nobody’s talking. Visually, it’s a mixed bag of neon and shadows, giving off major late-night city vibes—think rain-slicked streets and the kind of empty subway cars that make you wonder if you’re awake or still stuck in some fever dream. The plot? It’s not your typical paint-by-numbers deal. Rohan’s character is chasing answers, but honestly, half the time you’re not sure if he’s chasing the right questions. There’s a haunting sense of loss—like he’s lost something big, maybe himself—and it kinda hits you in the gut. The supporting cast adds layers, some quirky, some just unsettling, and the dialogue swings between cryptic and gut-punch blunt. There’s a feeling that everything matters, even the throwaway moments. By the end, you’re left piecing things together, replaying scenes in your head, and honestly, it sticks with you. 1134 is the kind of movie you’ll want to talk about after, maybe argue over, because it’s never quite what it seems.