Roman Vasiliev

Roman Vasiliev’s filmography is kind of wild, honestly. Let’s start with “Identifikatsiya” (2022)—it doesn’t exactly play it safe. The movie gets under your skin with its weirdly hypnotic vibe, dragging you through a plot that’s twisty, unpredictable, and sometimes downright uncomfortable (in a good way, if you’re into that sort of thing). People disappear, secrets pile up, and you’re left second-guessing every character’s motives. Vasiliev clearly loves to mess with expectations; nothing is quite what it seems, and he’s not about to spoon-feed you any neat answers. Then there’s “Konteyner” (2021), which feels grittier, more claustrophobic. The whole thing revolves around this tense, close-quarters drama—think: people trapped together, forced to confront stuff they’d rather ignore. It’s less about the big spectacle and more about raw, messy human emotions. Vasiliev digs into the awkward silences, the side-eye glances, those moments where you just want to look away. He’s got this knack for showing how people crack under pressure, making you squirm a little as you watch. And don’t sleep on “Luchshe, Chem Lyudi” (2018). It’s a bit of a curveball—a sci-fi flick that’s not really about robots as much as it’s about what it means to be human. Sure, there are androids and futuristic tech, but at the heart of it all, it’s about connection, alienation, and the weird stuff people do just to feel less alone. Vasiliev’s movies pack a punch—they’re moody, thought-provoking, and not afraid to get a little weird. You walk away with more questions than answers, but honestly, that’s half the fun.