Rony Zachariah

Rony Zachariah. Yeah, if you’ve been poking around South Indian cinema, that name probably rings a bell. The dude’s got his fingerprints all over some pretty wild projects—grab your popcorn. Let’s start with “Iru Mugan” (2016), a slick, high-octane action thriller that threw everyone for a loop. Imagine secret agents, double-crosses, and Vikram pulling off a killer dual role. Now, that’s the kind of movie where you blink and you miss a plot twist. Rony was there behind the curtain, making sure things didn’t go off the rails, and honestly, it shows. The film’s got that adrenaline-soaked vibe, and the visuals? Straight-up bonkers at times. Now fast-forward a bit to “Puli” (2015), which is like if someone dumped a bucket of fairy dust on a fantasy adventure and let it run wild. We’re talking magical kingdoms, shape-shifting baddies, Vijay fighting everyone and their grandma—basically, a full-on spectacle. Rony’s style slips through in those larger-than-life moments. Sure, it’s campy, but that’s half the fun, right? And then there’s “Mura” (2024). This one’s fresher, but people are already buzzing. Not your typical action flick—there’s a bit more grit, some raw edges, and a sense that the stakes are real. You can tell Rony’s not afraid to push things further, toss in some moral gray zones, and let the characters get messy. All in all, the guy’s got range, and he’s not afraid to shake things up. If his name’s in the credits, you know you’re in for a ride.