Roy C.J.

Roy C.J. isn’t exactly a household name—yet. But if you’ve been keeping your ear to the ground in Indian cinema, especially down south, you’ll have heard the buzz. The man’s got his fingerprints all over some seriously bold projects. Let’s talk about “Identity” (2025) first. This one’s got people talking. It’s not your run-of-the-mill drama. Think mind games, fractured realities, and a main character spiraling down a rabbit hole of self-doubt and paranoia. The whole thing is dripping with suspense, and you’re left questioning what’s real and what’s just in someone’s head. It’s a trip, honestly. Then there’s “Anomie” (2025), which is a total left turn. This film dives headfirst into social chaos—like, actually, the breakdown of every social rule you can imagine. It’s gritty and bleak, but not in a way that feels hopeless. There’s this undercurrent of raw humanity, like the characters are clawing for meaning in a world that’s falling apart. Heavy stuff, but man, it keeps you thinking long after the credits roll. And don’t forget “Marakkar: Lion of the Arabian Sea” (2021). That one’s a grand, sweeping epic—ships, battles, and all the glory and heartbreak of war. Roy C.J. didn’t play it safe; he went full throttle with the visuals and the storytelling. The scale is wild, and the emotional punches land hard. If you’re a fan of historical dramas with a bit of flair, this one’s probably already on your list.