Rupinder Inderjit

Rupinder Inderjit, man—this guy’s got a knack for stories that just hit different. Let’s start with Surkhi Bindi (2019). Now that film, it’s not your run-of-the-mill love story. You’ve got a small-town woman, Rano, who’s got these big, sparkling dreams about flying off to Canada, right? But life’s not handing out visas that easy. She ends up marrying Sukh, a guy who’s pretty much the opposite of what she had in mind. But, plot twist, he ends up being her ride-or-die, and together, they hustle through all the mess—money problems, family drama, society’s endless crap—and fight for her dreams. It’s raw, it’s real, and honestly, if you’ve ever felt stuck, you’ll get it. Then there’s Niga Marda Aayi Ve (2023). This one’s a full-blown romantic rollercoaster. Think cross-border romance, all that spicy tension with a British-Punjabi guy falling for a local girl. The film doesn’t shy away from the cultural messiness either—traditions, misunderstandings, and a ton of chaos leading to hilarious and heartwarming moments. And don’t even get me started on Main Viyah Nahi Karona Tere Naal (2022). It flips the whole marriage obsession of Punjabi society on its head. You’ve got a guy who’s dead set against marriage, and of course, life throws him right into the path of a woman with her own reasons to avoid tying the knot. Sparks fly, but not in the way you’d expect. There’s sass, there’s banter, but underneath all that, it digs into what it really means to choose your own life. Rupinder Inderjit’s work? Not just films—these are slices of real, messy, vibrant life.