Saar Singhal

Saar Singhal’s got that rare knack for making music that actually sticks with you—like you hear it once, and suddenly it’s living rent-free in your head. The guy’s not just playing around in the studio, either; he’s all about nailing those emotional beats that take a film’s visuals to a whole other level. It’s not just background noise—it’s the pulse that keeps everything moving. He jumped into the industry way earlier than most. By 22, he was already rolling with the big leagues, working side by side with A.R. Rahman. Yeah, that A.R. Rahman. The dude’s basically a legend, so you know Saar picked up some serious tricks of the trade. Rahman didn’t just hand out compliments—he pushed Saar to get weird with it, to experiment, to never settle for anything cookie-cutter. That’s probably why Saar’s stuff always feels fresh, never just a copy-paste job. And Saar didn’t stop there. More recently, he’s been in the trenches with Mychael Danna—another heavy hitter with an Oscar on the shelf. That kind of mentorship? It’s like a master class in what works and what doesn’t in film scoring. But Saar isn’t just chained to film studios. When he’s not scoring movies, he’s out there producing tracks for singers and songwriters, bringing his signature style to a whole bunch of different projects. Bottom line: Saar Singhal’s music is the kind that makes you feel something, whether you’re watching a movie or just vibing to a song.