Sairam Tatipalli

Sairam Tatipalli’s filmography is kind of a mixed bag, honestly, but in a good way. The guy’s got range. Take Mr Lonely (2021) for example. It’s not your typical rom-com, not by a long shot. The story digs into this wild, bittersweet journey of a dude stuck in his own head, drifting through life, craving connection but somehow always missing the mark. You ever feel like you’re surrounded by people but still isolated? That’s the whole vibe here. Tatipalli brings this awkward, almost painful authenticity to the character—he’s charming one moment, then brutally honest the next, and sometimes just straight-up cringey. The writing’s sharp, never too sappy, and it’s got these moments that just punch you in the gut. Plus, there's that dry humor peeking through the sadness, making the whole thing feel real instead of forced. Now, Hello Baby (2025) is a different animal. This one swings toward comedy, but it’s not all slapstick or cheap laughs. The film follows a guy who’s suddenly thrown into the chaos of parenthood—except, surprise, he’s not really ready. Like, at all. Sairam totally owns the fish-out-of-water energy, bumbling through diapers and late-night feedings, while trying (and failing) to keep his life together. But underneath the mess and the mayhem, there’s this heartwarming core about growing up, owning your mistakes, and just trying to do better. The dialogue crackles, the jokes land, and somehow, it sneaks up on you with a surprisingly sweet message. Both films show Tatipalli isn’t afraid to get messy with his characters, and honestly, that’s what makes his work stick.