Salah Bensalah

Salah Bensalah’s filmography packs a punch, honestly. Let’s dive in: “Hounds” (2023) is the kind of movie that grabs you by the collar and doesn’t let go. It’s gritty, the kind of gritty where you can practically taste the dust and tension. There’s that sense of danger lurking in every shadow, and the characters are anything but cookie-cutter. Expect raw street energy, broken dreams, and a relentless pace—think late nights, trouble brewing, and decisions that haunt you long after the credits roll. It’s Morocco, but not the touristy postcard version—this is the underbelly, and Bensalah doesn’t sugarcoat a thing. Now, “Tegnap” (2018) is a whole different animal. It leans into the surreal, threading personal history and regret through every scene. The film is moody, almost haunting; the kind of story that makes you question what’s real and what’s memory messing with your head. Characters wander through their own wreckage, piecing together fragments of the past, searching for meaning, and probably never finding it. Visually, it’s stunning—lots of lingering shots, heavy with silence and implication. And “Moroccan Badass Girl” (2023)? Oh, this one’s a riot. Fast, loud, and unapologetic. It centers on a fierce protagonist who’s all attitude and heart, smashing stereotypes left and right. There’s action, sass, and a real sense of rebellion. Bensalah knows how to make you root for someone who refuses to back down, even when the world’s pushing back hard. All in all, his movies aren’t just stories—they’re full-on experiences.