Sam Cronin

Sam Cronin doesn’t exactly pop up in every Hollywood conversation, but if you’ve dipped your toes into the world of indie horror or dark drama, odds are you’ve caught a glimpse of his work. First up, “June and the Baba Yaga” from 2013—yeah, that one. It’s not your average fairy tale reboot. Cronin crafts this eerie, off-kilter vibe, weaving together Slavic folklore with a modern twist. There’s this weird sense of dread that just kind of seeps through the screen, and honestly, the way he messes with your expectations keeps you guessing. Not for the faint-hearted, for real. Then there’s “Oscar’s Bell” (2018), which, by the way, has been floating around horror forums for good reason. Cronin goes for that punch-in-the-gut kind of terror. The story follows a dad and his dog, stuck in the woods, and you know right away something’s not right. There’s a slow-burn tension, and he pulls you in with just enough detail to let your imagination run wild. No cheap scares—just pure, creeping anxiety. Fast-forward to 2023 and “The Moor.” This one’s a bit of a curveball. It leans more into psychological drama, unraveling the aftermath of trauma in a bleak, rural setting. Cronin’s got a knack for making the landscape feel like another character—think endless gray skies and muddy fields, all mirroring the mess going on inside the characters’ heads. It’s heavy stuff but handled with a weird kind of elegance. Bottom line? Cronin’s filmography is a low-key goldmine for anyone craving stories that haunt you long after the credits roll.