Sanjay Soni

Sanjay Soni, you know, he’s one of those folks in the Indian film industry who kind of flies under the radar, but when you start digging, you notice he’s popped up in some pretty interesting projects. So, let’s talk about his work. First up, there’s “Mimi” from 2021. This one blew up for a good reason. It’s not your usual Bollywood fare. The story’s about surrogacy but, man, it’s handled in such a way that you laugh, you cry, and maybe—just maybe—rethink a few things about family. Soni’s role isn’t smack dab in the spotlight, but he adds a layer to the story that, honestly, would be missed if he wasn’t there. Jumping back a few years, “Ek Je Chhilo Raja” (2018) is a whole different vibe. We’re talking royal intrigue, courtroom drama, and a plot that kind of keeps you guessing. Soni slips into his character with that quiet confidence — not flashy, but memorable. The movie itself digs into identity and truth, and he fits right in, giving the kind of performance that makes you double-take because, wow, there’s more going on with this guy than you first think. Then, there’s “Thar” (2022). This one’s gritty. Think desert noir, with a heavy dose of suspense. Soni’s presence here is again subtle, but he just knows how to disappear into the role. The film messes with genre in a way that’s super satisfying if you’re tired of the same old thing. With each of these films, Soni’s got this knack for showing up, doing his thing, and leaving you curious about what he’ll do next.